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                <text>Photo courtesy The Newberry Library, Chicago, Call # MMS Goodman, Box 7 Folder 330, 4712-78. (Record ID 2989)</text>
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                <text>Photo courtesy The Newberry Library, Chicago, Call # MMS Goodman, Box 7 Folder 326. (Record ID 2989)</text>
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                <text>Mace, Emily </text>
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                <text>Raise the School House Flag</text>
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                <text>Top portion of front page of &lt;em&gt;The Youth's Companion&lt;/em&gt;, Vol. 63, no. 27, July 3, 1890, using the Fourth of July holiday to advertise the&amp;nbsp; magazine "School House Flag" campaign.&amp;nbsp;</text>
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                  <text>Francis O'Neill </text>
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                  <text>Karagianis, Ani</text>
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              <text>Francis O’Neill&#13;
There, all alone in his slumbers&#13;
           The great Milesian lay&#13;
The lion at last is vanquished&#13;
          By death’s unerring sway&#13;
Silent now the tuneful fiddle&#13;
         The organ’s sad refrain&#13;
Sounds in grief for a fallen chief &#13;
         Through Bantry’s broad domain &#13;
&#13;
Numb is now the gentle finger&#13;
        That lightly held the bow &#13;
And stilled now are the heartbeats&#13;
         That fed the minstrel’s glow&#13;
We shall ask of Music’s goddess&#13;
		If she would but retain&#13;
His spirit as a guiding wand &#13;
		Through Bantry’s broad domain &#13;
&#13;
Exalted prince of minstrelsy&#13;
		O’ learned sage profound&#13;
Though you have been deigned to leave us &#13;
		Your genius lingers round&#13;
Till some scion who reads your story&#13;
		In future may proclaim&#13;
Your achievements trimmed with glory&#13;
		Through Bantry’s broad domain&#13;
&#13;
			Thomas J. Dillon </text>
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                <text>song/poem written by Thomas J. Dillon about Francis O'Neill </text>
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                <text>From the personal collection of Mary Lesch; photographs of original objects used with permission</text>
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                  <text>Souvenir Music from the 1893 World's Fair&#13;
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                <text>The Streets of Cairo, or, The Poor Little Country Maid (cover)</text>
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                <text>Cover image of sheet music for "The Streets of Cairo, or, The Poor Little Country Maid," by James Thornton.&amp;nbsp;&lt;br /&gt;&#13;
&lt;p&gt;James Thornton was an Irish-born comedian and songwriter who achieved moderate success on the vaudeville stage around the turn of the century; his most famous song was “When You Were Sweet Sixteen.” He found even greater success when he teamed up with the singer Lizzie Cox, whom he married. According to her biographer, “part of her job was to keep her husband from spending all his money on drink.” This song makes significant use of the “hoochie koochie” melody (here called “kutchy-kutchy”), and is credited with bringing the tune into popular currency. It was supposedly written by the entrepreneur Sol Bloom, who was the chief organizer of the Midway, but he borrowed the famous melody from a French song from the 1700s, which in turn can be traced to an earlier Algerian tune. This little melody would have a long life, partly because it went immediately into the public domain and was used liberally by cartoon and movie composers, usually to comic effect. We will hear it again on this album.&lt;/p&gt;&#13;
&lt;p&gt;Lizzie (who used the stage name Bonnie Thornton) performed “The Streets of Cairo” on vaudeville, and it was apparently a hit. The song was published in 1895, and makes reference to a popular novel just coming into circulation at that time, George de Maurier’s&amp;nbsp;&lt;i&gt;Trilby,&lt;/i&gt;&amp;nbsp;which featured a beautiful young woman captured under the spell of a hypnotist named Svengali.&lt;/p&gt;&#13;
&lt;p&gt;Even though one goal of the Columbian Exposition was to promulgate a more positive image of the urban environment, this song presents a commonplace nineteenth-century narrative of an innocent young woman corrupted by the temptations of the city. In this regard, it was influenced by&amp;nbsp;&lt;i&gt;Trilby&lt;/i&gt;&amp;nbsp;and other novels and plays of the era.&lt;/p&gt;&#13;
&lt;div class="element-text"&gt;&#13;
&lt;p&gt;&lt;strong&gt;Lyrics:&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;I will sing you a song, and it won’t take very long,&lt;br /&gt;‘Bout a maiden sweet, and she never would do wrong,&amp;nbsp;&lt;br /&gt;Ev’ryone said she was pretty, she was not long in the city,&amp;nbsp;&lt;br /&gt;All alone, oh what a pity, poor little maid.&lt;/p&gt;&#13;
&lt;p&gt;&lt;i&gt;Chorus:&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;She never saw the streets of Cairo,&lt;/em&gt;&lt;br /&gt;&lt;em&gt;On the Midway she had never strayed,&lt;/em&gt;&lt;br /&gt;&lt;em&gt;She never saw the kutchy kutchy&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Poor little country maid&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;i&gt;Verse 2:&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;She went out one night, did this innocent divine,&lt;br /&gt;With a nice young man, who invited her to dine.&lt;br /&gt;Now he’s sorry that he met her, now he never will forget her&lt;br /&gt;In the future he’ll no better, poor little maid.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;i&gt;Chorus&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;i&gt;&lt;/i&gt;&lt;i&gt;Verse 3:&lt;/i&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;She was engaged as a picture for to pose&lt;br /&gt;To appear each night, in abbreviated clothes.&lt;br /&gt;All the dudes were in a flurry, for to catch her they did hurry&lt;br /&gt;One who caught her now is sorry, poor little maid.&lt;/p&gt;&#13;
&lt;p&gt;&lt;i&gt;Chorus&lt;/i&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Verse 4:&amp;nbsp;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;She was much fairer far than Trilby,&lt;br /&gt;Lots of more men sorry will be,&lt;br /&gt;If they don’t try to keep away&lt;br /&gt;From this poor little country maid.&lt;/p&gt;&#13;
&lt;p&gt;&lt;i&gt;Chorus&lt;/i&gt;&lt;/p&gt;&#13;
&lt;div&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/div&gt;&#13;
&lt;/div&gt;&#13;
&lt;div id="sound-item-type-metadata-original-format" class="element"&gt;&lt;/div&gt;</text>
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                <text>Thornton, James</text>
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                <text>Frank Hardings Music House</text>
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            <name>Date</name>
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                <text>1895</text>
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              <elementText elementTextId="3299">
                <text>Image courtesy of the Lester S. Levy Collection of Sheet Music, The Sheridan Libraries, The Johns Hopkins University</text>
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&lt;p&gt;&lt;i&gt;Chorus:&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;She never saw the streets of Cairo,&lt;/em&gt;&lt;br /&gt;&lt;em&gt;On the Midway she had never strayed,&lt;/em&gt;&lt;br /&gt;&lt;em&gt;She never saw the kutchy kutchy&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Poor little country maid&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;i&gt;Verse 2:&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;She went out one night, did this innocent divine,&lt;br /&gt;With a nice young man, who invited her to dine.&lt;br /&gt;Now he’s sorry that he met her, now he never will forget her&lt;br /&gt;In the future he’ll no better, poor little maid.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;i&gt;Chorus&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;i&gt;&lt;/i&gt;&lt;i&gt;Verse 3:&lt;/i&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;She was engaged as a picture for to pose&lt;br /&gt;To appear each night, in abbreviated clothes.&lt;br /&gt;All the dudes were in a flurry, for to catch her they did hurry&lt;br /&gt;One who caught her now is sorry, poor little maid.&lt;/p&gt;&#13;
&lt;p&gt;&lt;i&gt;Chorus&lt;/i&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Verse 4:&amp;nbsp;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;She was much fairer far than Trilby,&lt;br /&gt;Lots of more men sorry will be,&lt;br /&gt;If they don’t try to keep away&lt;br /&gt;From this poor little country maid.&lt;/p&gt;&#13;
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                <text>http://www.gendisasters.com/illinois/15602/chicago-il-columbia-theater-fire-mar-1900</text>
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                <text>Company advertisement from Cincinnati Enquirer, Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Milnor_Electric_advertisement_for_WLW_radio_debut_(1922).jpg</text>
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