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A., lyricist"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"5800"},["text","Chicago Music Co. (Chicago)"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"5801"},["text","1893"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"5802"},["text","Library of Congress, Music Division."]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"5803"},["text","English"]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"5804"},["text","Library of Congress, ihas.100008815 (LOC)"]]]],["element",{"elementId":"48"},["name","Source"],["description","A related resource from which the described resource is derived"],["elementTextContainer",["elementText",{"elementTextId":"5805"},["text","https://openmusiclibrary.org/links/cb7541cd-2e70-49c5-85c5-58110d5fb4d0/"]]]]]]]],["item",{"itemId":"2031","public":"1","featured":"0"},["fileContainer",["file",{"fileId":"3629"},["src","https://digitalchicagohistory.org/files/original/2783268330727501f3e82ec4b9d2855d.MP3"],["authentication","f17930a7da3071d0307764ba2a01901f"]]],["collection",{"collectionId":"37"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"3293"},["text","The Streets of Cairo, or, The Poor Little Country Maid (cover)"]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3294"},["text","Sheet music cover image"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3295"},["text","Cover image of sheet music for \"The Streets of Cairo, or, The Poor Little Country Maid,\" by James Thornton.&nbsp;<br />\r\n<p>James Thornton was an Irish-born comedian and songwriter who achieved moderate success on the vaudeville stage around the turn of the century; his most famous song was “When You Were Sweet Sixteen.” He found even greater success when he teamed up with the singer Lizzie Cox, whom he married. According to her biographer, “part of her job was to keep her husband from spending all his money on drink.” This song makes significant use of the “hoochie koochie” melody (here called “kutchy-kutchy”), and is credited with bringing the tune into popular currency. It was supposedly written by the entrepreneur Sol Bloom, who was the chief organizer of the Midway, but he borrowed the famous melody from a French song from the 1700s, which in turn can be traced to an earlier Algerian tune. This little melody would have a long life, partly because it went immediately into the public domain and was used liberally by cartoon and movie composers, usually to comic effect. We will hear it again on this album.</p>\r\n<p>Lizzie (who used the stage name Bonnie Thornton) performed “The Streets of Cairo” on vaudeville, and it was apparently a hit. The song was published in 1895, and makes reference to a popular novel just coming into circulation at that time, George de Maurier’s&nbsp;<i>Trilby,</i>&nbsp;which featured a beautiful young woman captured under the spell of a hypnotist named Svengali.</p>\r\n<p>Even though one goal of the Columbian Exposition was to promulgate a more positive image of the urban environment, this song presents a commonplace nineteenth-century narrative of an innocent young woman corrupted by the temptations of the city. In this regard, it was influenced by&nbsp;<i>Trilby</i>&nbsp;and other novels and plays of the era.</p>\r\n<div class=\"element-text\">\r\n<p><strong>Lyrics:&nbsp;</strong></p>\r\n<p>I will sing you a song, and it won’t take very long,<br />‘Bout a maiden sweet, and she never would do wrong,&nbsp;<br />Ev’ryone said she was pretty, she was not long in the city,&nbsp;<br />All alone, oh what a pity, poor little maid.</p>\r\n<p><i>Chorus:</i></p>\r\n<p><em>She never saw the streets of Cairo,</em><br /><em>On the Midway she had never strayed,</em><br /><em>She never saw the kutchy kutchy</em><br /><em>Poor little country maid</em>&nbsp;</p>\r\n<p><i>Verse 2:</i></p>\r\n<p>She went out one night, did this innocent divine,<br />With a nice young man, who invited her to dine.<br />Now he’s sorry that he met her, now he never will forget her<br />In the future he’ll no better, poor little maid.&nbsp;</p>\r\n<p><i>Chorus</i></p>\r\n<p><i></i><i>Verse 3:</i>&nbsp;</p>\r\n<p>She was engaged as a picture for to pose<br />To appear each night, in abbreviated clothes.<br />All the dudes were in a flurry, for to catch her they did hurry<br />One who caught her now is sorry, poor little maid.</p>\r\n<p><i>Chorus</i><i>&nbsp;</i></p>\r\n<p><em>Verse 4:&nbsp;</em></p>\r\n<p>She was much fairer far than Trilby,<br />Lots of more men sorry will be,<br />If they don’t try to keep away<br />From this poor little country maid.</p>\r\n<p><i>Chorus</i></p>\r\n<div><i>&nbsp;</i></div>\r\n</div>\r\n<div id=\"sound-item-type-metadata-original-format\" class=\"element\"></div>"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"3296"},["text","Thornton, James"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"3297"},["text","Frank Hardings Music House"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3298"},["text","1895"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3299"},["text","Image courtesy of the Lester S. Levy Collection of Sheet Music, The Sheridan Libraries, The Johns Hopkins University"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3300"},["text","English"]]]],["element",{"elementId":"48"},["name","Source"],["description","A related resource from which the described resource is derived"],["elementTextContainer",["elementText",{"elementTextId":"3301"},["text","Johns Hopkins University, The Lester S. Levy Sheet Music Collection, Box 144, Item 23. http://levysheetmusic.mse.jhu.edu/catalog/levy:144.023a"]]]]]]]],["item",{"itemId":"1153","public":"1","featured":"0"},["fileContainer",["file",{"fileId":"1413"},["src","https://digitalchicagohistory.org/files/original/18089a6e64767ca54bfd9ab017a60f3c.pdf"],["authentication","e66e495832767ff921052c61f4a37d1d"]]],["collection",{"collectionId":"19"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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(Record ID 2989)"]]]]]]]],["item",{"itemId":"1792","public":"1","featured":"0"},["fileContainer",["file",{"fileId":"3199"},["src","https://digitalchicagohistory.org/files/original/1293b770cc50395a84125ee53c2a3078.jpg"],["authentication","5c29e517a3facfd7e322037f7a215b15"]]],["collection",{"collectionId":"33"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"10593"},["text","The Weavers on a New York City Rooftop"]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"10594"},["text","Folk Music"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"10595"},["text","Gahr, David"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"10596"},["text","Estate of David Gahr"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"10597"},["text","1958"]]]],["element",{"elementId":"42"},["name","Format"],["description","The file format, physical medium, or dimensions of the resource"],["elementTextContainer",["elementText",{"elementTextId":"10598"},["text","Photo"]]]],["element",{"elementId":"48"},["name","Source"],["description","A related resource from which the described resource is derived"],["elementTextContainer",["elementText",{"elementTextId":"10599"},["text","https://www.tabletmag.com/jewish-arts-and-culture/music/191873/folk-city-mcny-hoberman#"]]]]]]]],["item",{"itemId":"762","public":"1","featured":"0"},["fileContainer",["file",{"fileId":"774"},["src","https://digitalchicagohistory.org/files/original/7ae98aeaac0775604ab4e3641892fcd9.pdf"],["authentication","1f8c88edc017563afc45c958242be644"]],["file",{"fileId":"775"},["src","https://digitalchicagohistory.org/files/original/3ae97788394286f5a483b86a67b1157d.pdf"],["authentication","8730289888370b0d2e11be2d9410aa43"]],["file",{"fileId":"776"},["src","https://digitalchicagohistory.org/files/original/dbd2a6dfd98bd3e59eccab232baacf36.pdf"],["authentication","344e72f87564fea6ce7a4ae61f7318de"]],["file",{"fileId":"777"},["src","https://digitalchicagohistory.org/files/original/ed9689dabb27f0838fc4b7bae6053ee4.pdf"],["authentication","a646e47389d43d4b1c346f496fd95d74"]],["file",{"fileId":"778"},["src","https://digitalchicagohistory.org/files/original/f84c207f043058e4601ac7c9b455b0fb.pdf"],["authentication","969fd5f3457ae968a4514055977487e3"]],["file",{"fileId":"779"},["src","https://digitalchicagohistory.org/files/original/670f0eed98ddf3ee16e27b2c150aa359.pdf"],["authentication","2c3879aea60a8171b3746d8c15655c26"]],["file",{"fileId":"2085"},["src","https://digitalchicagohistory.org/files/original/6d24a54a08e59bb817766d4299ce7435.pdf"],["authentication","bb48f418ce8d030101bb80dd5843bfdc"]]],["collection",{"collectionId":"16"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"2428"},["text","The Women's International League meets, in Zurich, concurrent with the closing of the Paris Peace Conference"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2429"},["text","The announcement of the final terms of the war settlement stun Addams and the other delegates, who pass resolutions rejecting the treaty and calling for major revisions of it.  The delegates also rename their organization the Women's International League for Peace and Freedom.  Addams gives three addresses at the Congress. Alice Hamilton describes the opening session: \"\"The big room is full of a subdued Babel of many tongues, up on the platform which is charmingly decorated, is the lady surrounded by seven selected women of the different countries and in a few minutes she will make her opening address.\" (Quoted in Joslin, Jane Addams, p. 194.  See footnote 124.  "]]]],["element",{"elementId":"48"},["name","Source"],["description","A related resource from which the described resource is derived"],["elementTextContainer",["elementText",{"elementTextId":"2430"},["text","“Men Have Made a Mess of Peace, Women Assert.” Chicago Daily Tribune (1872-1922): 17 May 1919: 4. Tribune Publishing Company. ProQuest. Web. 12 June 2017. <br /><br />“Report of the Second International Women's Congress for Peace and Freedom, Zürich, 1919.”&nbsp;<i>Hathi Trust Digital Library</i>. Web. 13 July 2017.<br /><br />“Women Go Abroad to World Congress.” The New York Times: 10 Apr. 1919, vol. LXVIII no. 22,356: 24. The New York Times Company. NYTimes Search. Web. 15 June 2017. <br /><br />“Women Meet at Zurich.” The New York Times 4 May 1919, vol. LXVIII no. 22,390: 2. The New York Times Company. NYTimes Search. Web. 10 June 2017. <br /><br />“Women as ‘Permanent Peacemakers.’” The New York Times; Magazine Section: 22 Jun. 1919, vol. LXVIII no. 22,429: 78, 80. The New York Times Company. NYTimes Search. Web. 15 June 2017. <br /><br />“Women’s Conference Will Fight Treaty.” The New York Times 20 May 1919, vol. LXVIII no. 22,396: 5. The New York Times Company. NYTimes Search. Web. 10 June 2017. <br /><br />“World Women Demand Change in Peace Treaty.” Chicago Daily Tribune (1872-1922): 19 May 1919: 10. Tribune Publishing Company. ProQuest. 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